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暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无英文版的简介，请添加内容帮助我们完善数据库。

Jaroslav Kučera in an intimate portrait composed of private footage, in which he sketches the most intimate space of his family with a relaxed hand. Thanks to the director's sensitive selection, we observe scenes of spontaneous posing in front of the camera as well as moments of soothing repose, captivatingly brought together by a soundtrack produced by Aid Kid.

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Emmy winner Holland Taylor and Broadway's Ana Villafañe star as two U.S. Representatives, generations apart, who couldn't be more different. Inspired by real people and events, the play N/A is a battle of wills and wits between N, the first woman Speaker of the House, and A, the youngest woman ever elected to Congress. Filmed from Lincoln Center's Off-Broadway theater in August 2024, N/A is part of Theater Close-Up, a collaboration between THIRTEEN and New York City-area Off-Broadway and regional theaters, shining a primetime spotlight on a diverse mix of innovative theater productions. Go behind closed doors as these two formidable women debate power, ambition, and change. N/A is written by Congressional aide turned playwright Mario Correa and directed by Tony Award-winning director Diane Paulus (“Jagged Little Pill”).

A parody of operetta costumes, personas, old familiar situations with old familiar sandboxes and a happy ending.

Reinhold Schünzel is one of the most sought-after actors and directors of cinema of the Weimar Republic. When the National Socialists come to power in 1933, he just releases his legendary gender comedy “Viktor and Victoria“. Despite his Jewish faith, Schünzel is under the special protection of Hitler and can work unhindered due to a special permit. But Schünzel's days in Germany are also numbered.In his sparkling and pointed artist portrait, director Hans-Christoph Blumenberg tells about the rise and fall of Reinhold Schünzel. The grandiose Peter Fitz mimes a charming, witty and ambitious director. By letting some performers play several roles, Blumenberg cleverly illustrates the recurring conditions with which Reinhold Schünzel faces everywhere. Schünzel's irony, language joke and sophistication in particular congenially transfers Blumenberg to his film.

Day in the life of teenagers.